Thứ Ba, 3 tháng 2, 2009

More Classic Ads



How's that for a promise: People will be waiting in line to deposit money in your own little bank! And it's a replica of a $35,000 genuine antique, made of cherrywood polystyrene!

And now for some real fun, how about convincing Mom that the TV's broken?



For the heathen crowd, check out these graven images:



Seen by millions of TV viewers weekly as worn by the romantic sea captain! As best I can tell, that probably refers to this program.

Thứ Hai, 2 tháng 2, 2009

#105.Indrajal Comics 54

There were total 14 Garth's Indrajal Comics were published. 11 were posted in this blog (here). Last 3 of this series:



V20N27-1983-Garth-The Mysterious Cutlass (15.39 MB)

V21N34-1984-Garth-The Devil's Stooges (15.14 MB)



V23N34-1986-Garth-The Eluding Traitor (15.91 MB)

All 14 english Garth's Indrajal Comics including these 3 are conrtibuted by Ajnaabi.

#104.The Phantom - Moonstone 5



MoonStone-026-Phantom
(13.01 MB)

The Phantom Annual 02
(26.72 MB)

Number 464


Li'l Melvin


In the early 1950s the longtime feud between successful cartoonists Ham Fisher, creator of "Joe Palooka," and Al Capp of "Li'l Abner" fame, hit its peak. Fisher had once been Capp's employer. During the time Capp was Fisher's assistant (and some describe his job as more of a ghost while Fisher lived the high life afforded him by his successful strip), the hillbilly concept was born with a character called "Big Leviticus." At some point afterwards Capp quit, created his successful hillbilly strip, "Li'l Abner," and a feud was born. It ended when Fisher took sequences out of "Li'l Abner," doctored them to look like Capp had hidden pornographic images. Capp easily refuted them by showing the original material. The result was disgrace for Fisher, who committed suicide in December, 1955.

This satire, drawn by Will Elder for EC's Panic #3 in 1954, was done well ahead of Fisher's suicide, but devotes the last page to a lampoon of both Fisher's forgeries and Dr. Fredric Wertham, who said in Seduction of the Innocent that pornographic images were hidden in comic books.

Will Elder always did a great job lampooning other cartoonists' characters. There is a running gag throughout that issue of Panic about Walt Kelly, and the last panel features the only non-Elder art, a Basil Wolverton paste-up. Since I've seen most of the Mad imitators and featured a few here, no one ever imitated Mad as well as the creative people who helped create Mad. Harvey Kurtzman was missing from Panic, but his artists were there. Even with them Panic was never as great as Mad, but in its own right it could be very, very good, and "Li'l Melvin" is one of those examples.










**********

Speaking of hidden porn, my friend Clark sent me this sheet of images he's culled. I've scanned it from a photocopied sheet.

Chủ Nhật, 1 tháng 2, 2009

Single Issue Review: Four Color #760



This one requires quite a bit of background material, so bear with me, I will get to the comic book itself. I read my first Hardy Boys book sometime around 3rd grade; it was the Secret of Skull Mountain. Long before I dreamed of reading every Batman comic I set out to read all the Hardy Boys mysteries, and in fact I did eventually read every one published before about 1966.

Even before that, I had heard of the Hardy Boys from the Mickey Mouse Club on TV, although to be honest, the serials that I preferred from that show were the Spin and Marty stories. I saw those and the Hardy Boys shows sometime around 1961 or 1962, so these were clearly syndications of the originals, which had run in 1956.

The Hardys themselves had been around since the 1920s, and although I didn't know it at the time, the publisher was putting out new editions of many of the original stories. They were updated for the times, with those mysterious cars referred to as "Phaetons" and "Coupes" disappearing into the mists of history. Also disappeared were several unfortunate racial characterizations, insane people, and much of the charm of the original series.

The Mickey Mouse Club serialization of the first Hardy Boys novel was called The Mystery of the Applegate Treasure (the book was entitled The Tower Treasure). The serialization featured Tim Considine (My Three Sons) and Tommy Kirk (Old Yeller) who went on to become teen stars. This comic is an adaptation of that story, rather than either version of the novel.





Iola is given a much bigger role in this story than she would have for many years in the real novels, and actually crowds her brother Chet (a mainstay of the books) right out of the picture. Disney wanted a character for the girls to identify with in the serial, which was aimed at boys and girls (unlike the books).

In the story there are a lot of mysterious goings-on around the Applegate mansion. There's one noticeable negative about presenting this in a comic; the cliffhangers from the serial (and at the end of virtually every chapter of the novels) lack a certain drama. For example, I remember this scene being the climax of one of the episodes:



But of course in the serial the appearance of the wild-eyed man with the sword was the end of that episode, and so for a whole day kids were left to wonder if the Hardy Boys were about to be eviscerated. There is a certain loss of dramatic effect when the reader can turn the page:



The art there is good enough. One of the problems with licensed characters is always that they tend to be under the same budget as non-licensed products and so the publishers tend to scrimp on the actual product. Still, Disney was a great license for Dell back then and we'll assume that they recognized the Hardy Boys as a potential addition to the lineup given their obvious appeal to youngsters.

The story itself never varies far from the old Applegate tower and when the boys find a clue:



It's time to tear apart the old tower with the willing cooperation of the owner, but the gold coins are not to be found. Where can they be?

In the book and the comic the answer occurs to the boys unbelievably:



And after a non-threatening encounter with a criminal inside the water tower they emerge, having "solved" their first case.

Reading this comic does show how many red herrings the Hardy Boys mysteries threw at the reader. For example, there's the mystery of who grabbed Iola's purse:



That attacker turns out to be Perry Robinson trying to get back a gold doubloon he'd found that Iola picked up after a mishap between the two. Could happen to anyone.

Overall the comic is entertaining from a storytelling point of view. The art is sketchy but with enough modest flourish as to indicate seriousness of purpose. Dell did publish three more Hardy Boys comics in their Four Color line, all of which featured Considine and Kirk on the covers:





#103.Indrajal Comics 53






188-1973-Phantom-Head Hunters of Tirangi

Hindi version is available in this blog.




It's contributed by Ajay Misra.


Number 463


"Shoot me for a kiyoodling coyote..."


Vigilante is radio singin' cowboy Greg Sanders, who moonlights as the bandanna-wearin', two-fisted do-gooder. He's aided by yet another version of Robin, "Stuff," a kid from Chinatown. In this particular silent opus, we have to imagine the squawking sounds from the strings of the villain, the "frustrated concert violinist," Ben Bowe, aka The Fiddler. I guess if ever there was a real excuse to be a criminal, not being able to play Carnegie Hall would have to top the list.

Didn't The Flash also have a foe called The Fiddler? Checking with the Grand Comics Database I see a notation about this episode of Vigilante: "The Fiddler is not the same villain as Flash's." Aha. Two villains with the same name working for the same comic book company? Who's in charge of continuity here?

Whoever wrote this story gave it some pretty snappy dialogue. Vigilante: "Are you hurt, Stuff?" The boy replies, "I'm not feeling kittenish." ...whatever that means, and maybe it meant something in 1943 that is lost to us now, but I think it's funny.

Mort Meskin, as "Mort Morton," and "Charley," Charles Paris, did the art chores on this story from Action Comics #59, April 1943. Meskin created the character with Mort Weisinger, and I've included the origin story from a DC reprint of the early 1970s. Meskin's artwork is dynamic and dramatic, aided by the equally dynamic and dramatic inking of Paris, who worked a lot on the Batman comics over a couple of decades. I believe, except for some occasions, that Meskin was essentially THE Vigilante artist. Vigilante, who also appeared in Leading Comics with the second banana group, Seven Soldiers of Victory, was one of the more popular features in Action Comics for years, and might be the most popular DC character who never earned his own book.













UPDATE: Readers Mike and Carole Curtis asked me to refer you to a link about the 1947 Vigilante movie serial starring Ralph (Dick Tracy) Byrd.