Chủ Nhật, 4 tháng 10, 2009

#263. The Phantom - Ghost Who Walks #5 (Moonstone)


Plot Summary
 
When people go missing, The Phantom finds himself drawn into what appears to be a slave trade ring, but turns out to be far more insidious. Can The Ghost Who Walks overcome The Eastern Dark, or will the sun set on our hero once and for all?
 

Last days lot of complains about mediafire links, so this time I'm not uploading at mediafire.

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 It's a GreenGiant-DCP's scans. All credits to original scanners and uploaders.

Thứ Bảy, 3 tháng 10, 2009

Tarot: Witch of the Black Rose #58


Tarot: Witch of the Black Rose #58
CBR | Sep 30, 2009 | 37 Pages | 17 MB
Tonya Kay, (Featured in Stan Lee’s “Who wants to be a Super Hero”, Actress and Chaotic Witch.) finds herself trapped in a nether world of despair with Tarot. Surrounded by living stone serpents, the two Witches must battle for their freedom or face eternity as statues, by the Magick of the Dark Medusa Queen.

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The Last Days of Animal Man #5 (of 6)


The Last Days of Animal Man #5 (of 6)
CBR | Sep 30 2009 | 23 Pages | 12.8 MB
Is Buddy Baker losing it all? Everyman hero Buddy Baker has fought hard for our world, and for his family. But by the year 2024, the Earth has seen better days: The heroes are growing tired, the villains have grown nastier and Buddy's own hometown of San Diego has struggled for years to recover from a cataclysmic typhoon. His children have grown and his marriage has gotten colder… and now, as San Diego faces the most vicious Super-Villain it's seen in years, his powers are starting to fail him! Without his powers, without his family – who is Buddy Baker? Can he still be a husband? Can he still be a father? Can he still be Animal Man? And more importantly, can he even survive the bloodthirsty plan his arch-rival's progeny has in store for him? Written by Gerry Conway; Art by Chris Batista and Dave Meikis; Cover by Brian Bolland. Comics legend Gerry Conway (TV's Law and Order) makes his return to DC with this can't-miss 6-part miniseries.

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Punisher Annual 2009 #1


Punisher Annual 2009 #1
CBR | Sep, 2009 | 36 Pages | 17.8 MB
'REMOTE CONTROL' The Punisher faces his greatest challenge yet: Trapped in the throes of a hypnotic spell, Spider-Man’s gone psycho and he wants to grind Frank Castle’s bones to paste! And since Spidey’s not really to blame for his actions, Castle faces a dilemma: Fight (the only way he knows how) or die. Can the Punisher survive a bloodthirsty Wall-Crawler long enough to disconnect him from the control of the Dirty Dozen’s leaders, Letha and Lascivious?

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G.I. Joe: Cobra Special #1 (One-Shot)


G.I. Joe: Cobra Special #1 (One-Shot)
CBZ | Sep 30, 2009 | 26 Pages (2 Covers) | 15.8 MB
Nobody dared follow Alan Moore's perfectly symmetrical Watchmen #5 story--until now, and to a comic book associated with a toy franchise at that! When I first browsed the pages of this special I noticed the repetition of the panels. Then I realized it was intended. And as it turns out, writer Mike Acosta and artist Antonio Fuso not only managed to pull this one off, they aced it. Using the original Cobra miniseries and the symbiosis between twins Xamot and Tomax as takeoff point, Acosta and Fuso together craft a symmetrical standalone storyline that further expands the Cobra mythos as well as expounds on philosophical ruminations on free will and freedom of choice.

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Thứ Sáu, 2 tháng 10, 2009

Batman #147



I have previously cited this story as perhaps the worst Batman story of the Silver Age. To give you an idea, back when I was really trying hard to push my run of Batman issues backwards, I stopped at #148 because I could not see paying $1.00 or so (at the time) for a comic with such a ridiculous cover.

The opening story is the Plants of Plunder. Batman and Robin encounter some crooks who use seeds from alien plants to commit crimes:

As Batman and Robin chase them, the crooks use another fantastic plant:

It turns out that they have stolen them from an alien who temporarily lost his memory, but regains it here:

It turns out that he was an alien farming scientist who came to Earth to try out his seeds here and got knocked out when the plants grew too quickly.

Comments: Dull and predictable, with a gaping plot hole. The alien initially shows up disguised as a human at Commissioner Gordon's office. He's already got amnesia. So how does he wind up back at the crooks' hideout at the end of the story, where he hits his head and regains his memory?

The Secret of Mystery Island is a pretty straightforward Treasure Hunt. There were a fair number of these stories in Batman over the years. The basic plot is that a dying rich man leaves a clue to the secret location of his fortune, with that clue leading to another clue. In this case, the dying man is an architect (and criminal mastermind) named Briggs, and his henchman Catlin is seeking the treasure, which Batman and Robin manage to recover.

Comments: Although I usually like these types of stories, this one is poorly executed, with clues that seem forced. Catlin looks into one eye of the Buddha, and assumes when he doesn't find anything that Briggs had lied about a treasure. But he doesn't look into the other one, which does hold the clue, which Batman promptly solves. In addition, the story lacks a needed element, which is that there should be some animosity between the dying man and his treasure seeker; otherwise, why put the latter through the wringer of the treasure hunt? But there is no indication of that here:

The cover story is the grand finale. Now, as background, Mort Weisinger had been having some success at the time with stories featuring "Superbaby", that is, Superman as a toddler. It's important to remember that in the Silver Age (as compared to present continuity) Clark Kent always had his super-powers, even as an infant, so that Superbaby could fly, was invulnerable, could lift incredible weights, etc., so his main limitation was that he thought like a baby.

Well, this was not going to work for Batman, clearly, who had no superpowers aside from his brilliant brain. And so the story flows fairly obviously, if ridiculously from the simple idea of regressing him physically but not mentally. Batman and Robin raid the hideout of Nails Finney, where they discover also the "renegade scientist" Garth, who has a surprise for Batman:

No, not the dreaded "eerie ray of light"! Well, before you know it, Batman has shrunk down to Oshkosh Bgosh size:

Due to a "flaw" in the machine, despite being turned into the Diapered Detective, Batman retains his adult mind and strength. He quickly trains to adjust to his new body, makes a few revisions to his costume and:

Later, he captures some crooks on a rooftop by using a large balloon to float him up there, since he doesn't weigh as much as he used to. But of course that makes this scene highly unlikely:

But now it's time for a secret identity crisis, as Kathy (Batwoman) Kane comes calling to see if Bruce Wayne is wearing short pants these days. But she leaves in a huff when she sees his silhouette kissing another woman. Quick thinking, Batman!

Batman and Robin find Garth's hideout, but when some henchmen come running up to help prevent Bat-Baby from reaching the machine:

And eventually Batman regains his normal size by reversing the ray.

Comments: You can argue that this one is played for grins, but it delivers more groans instead. Overall, this issue is the epitome of the worst of the Jack Schiff era.

Number 603


Starr of the comics


I love these psychiatric stories. It's not known much outside my family, but I've been under the care of a shrink for so long my head is now the size of a golf ball. Here in the Happy Hours Home the staff let me flail away at a keyboard, allowing me to do this blog. It distracts me, keeps me from becoming dangerous. Nights of the full moon are especially bad. Must...keep...busy...arrrrgh.

Crime Clinic was a Ziff-Davis comic that starred a psychiatrist. In this issue, #10, July-August 1951, Dr. Tom Rogers analyzes one of the most famous American gangland killers, Vincent "Mad Dog" Coll. It's drawn by Leonard Starr, who had a sterling career not only in comic books, but moved on to syndicated comic strips, Mary Perkins On Stage, and even revived Little Orphan Annie in the late '70s. Starr had an excellent and slick illustration style, and it shows in this tale of a machine-gunning madman.

If you'll excuse me, it's time for lunch. Doctor said if I promise not to shoot it back out my nose he'll let me have some chocolate pudding for dessert.