When I decided at age 13 to start collecting comic books, the reaction from my family was, to say the least, not positive and supporting. My parents definitely shared the view that comics were throwaway trash entertainment for kids. And to be honest, that was not entirely an unfair characterization of the medium, although things were already changing on that front as both DC and Marvel started chasing the adolescents like me.
It's funny because I think of the comic collectors of my era that I've met over the years, and they're all pretty bright, but certainly the image of the time was a dummy who moved his lips as he read, slowly. I had always been a voracious reader; by third grade I was reading five-six books a week. True, it was mostly the Hardy Boys or the Bobbsey Twins, but it most definitely was not picture books for me. By sixth grade I was reading the "We Were There" series, novels of American history as (supposedly) told by the kids who lived at the time.
So comics definitely seemed like a regression to my parents. But I was an obstinate youngster and they gradually accepted my decision. Of course, it helped that I did not solely read comics; by that point I was also a sci-fi fan. I also picked up some "educational" comics, like the Classics Illustrated line, although they were mostly on the wane by then, and it was pretty obvious despite the new covers that the artwork was dated. But it did interest me in some of the stories, and so at 15 I borrowed a copy of
The Three Musketeers from a friend.
Who committed suicide by jumping in front of a train a week later. Sorry to spring that on you, but it's a major part of the story. Needless to say, I was emotionally wrecked for the next month or so. But one of the ways I got through it was to dedicate myself. I set a goal for myself to read the classics--not the comics, but the original books on which they were based. I did use the list on the back cover as a starting guide:
How did I do? Pretty well I'd say. Now mind you, finding some of those books (other than the first 20 or so, which virtually any good library would have) was quite a chore. I read all but
Adventures of Marco Polo and
Michael Strogoff in the first 30. I read Moby Dick unabridged, and let me tell you that really required dedication. And although I'm a big Robert Louis Stevenson fan, I've never been able to finish
The Black Arrow. Overall I've probably read about 90 or so of the 167 in the original series (not all of which are listed on that particular back cover.
But most of the books, once you got into them, were terrific.
The Count of Monte Cristo,
Les Miserables and
Crime and Punishment are books that everybody should read once.
The comics themselves varied in quality, both in the written adaptations and in the artwork. Here's the highly stylized splash to Arabian Nights (better known as
1001 Nights):
When the comic was redone in the 1960s, that beautiful style disappeared:
I'll always remember the moment when the inspector confronted Raskolnikov, in Crime and Punishment. During the story, he's seemingly befriended the young student, and they are discussing the murder that is the focus of the story here:
Of course, collecting the Classics Illustrated has presented many headaches as the comics were often reissued with new covers, and later with new interiors. At one point collectors used the HRN (highest reorder number) on the back cover to differentiate between various versions, but even that is not foolproof.
