Number 711


Dragula's April Fool by Toth


Alex Toth did this 5-page strip for Drag Cartoons publisher/editor/cartoonist Pete Millar in 1963. These are scans of the originals, dug out at some point in my career of internet mining.

Note the label for Grafix paper. That paper was chemically treated; a second chemical applied by a brush brought out a pattern that the lithographic camera saw as line art. Grafix was once called Craftint. In 2009 due to low sales and a changing market it was discontinued by its manufacturer. Goodbye to an era, comic book fans! Craftint/Grafix was used to great effect by some of the best cartoonists of the Golden Age.

Sadly, Millar died in 2003, "Den-Den" (cartoonist, later editor Dennis Ellefson) died in 1997, and Toth in 2006.

Tomorrow, back for one more posting from the EC New Trend era, as we find Feldstein and Ingels in love!

Number 236

Rat Fink Christmas

I was reminded of something the other day when I got my friend Dave Miller's annual Christmas CD. To compile his yearly CD, Dave takes some of the most obscure and oddball Christmas music he can find on record albums from thrift stores and yard sales.

Although there's nothing on the CD related to the cover artwork, the cover evokes Ed "Big Daddy" Roth and his famous Rat Fink. In the 1960s there was a magazine devoted to Big Daddy, published and edited by Pete Millar. Millar died in 2003, and has been forgotten by a lot of comic book fans, because his comic books weren't those normally sold to Marvel and DC readers. He published Drag Cartoons from 1963 to 1968, with the themes being cars and drag racing. That was a subject I wasn't interested in,* but I did like the cartoonists working in those early issues: Toth, Warren Tufts, Russ Manning, and even Millar himself. Millar got a license with Ed Roth to do four issues of a magazine that eventually failed on the newsstands. Pete overestimated how many kids who bought Rat Fink decals might be willing to pay 35¢ for a magazine based on Big Daddy. Number 2 is the only issue I bought, probably because of the Alex Toth story. But that's for later. For right now we've got Millar himself doing a Mad comics-styled "Night Before Christmas," featuring Big Daddy himself.

Pete's artstyle was developed in the late 1950s and early 1960s, and he is still the only cartoonist I've ever seen work in that style. I've scanned the pages bigger than I normally do. If your eyes are anything like Pappy's eyes you need something bigger so you can see all the tiny details. Just click on the pages for full-size images.



*The only thing about cars that interested me was getting girls into the seat next to me.

Number 186

When Rick Griffin Was In Drag

When people think of artist Rick Griffin, they think of his psychedelic dance posters, his comix work, and artwork like this, taken from the important 1972 publication, The Man From Utopia:

They might not realize the Rick Griffin they know was preceded by a Rick Griffin they don't know. I've owned this copy of Drag Cartoons #12, dated February 1965, since it was new on the stands without knowing that Rick Griffin illustrated two of the strips, for a total of five pages in the magazine. Hard to explain, but I just never noticed. I stumbled onto them while looking at an Alex Toth strip in the same issue.
Griffin started out doing cartoons for Surfing magazine. I have no idea how many issues of Drag Cartoons he appeared in. That's for the Griffin completists amongst us to tell us.

When Rick did these strips he was about 20 or 21 years old, influenced by the cartooning styles of the early 1960s, and by Mad comics, which he might have read off the newsstands as they appeared, or later encountered in the series of Mad paperbacks. Or both. In the last panel of "The Highwayman" strip he uses the word "furshluginer." A dead giveaway as to his influence.

The artwork on "The Highwayman"--writer not credited, but for the record it's by Alfred Noyes from his 1906 poem--is more detailed, using a lot of pen and ink lines. The second strip isn't as ornate, and frankly, not as good. I'm including it anyway because I just know you guys wanna see this stuff. Looking at Griffin's work during his salad days can give you a comparison of how much development he made during his career. In his case there was a huge leap of development during a very short period of time, just a couple of years.

Griffin died in 1991 in a motorcycle accident. He wasn't even 50 years old. He left a legacy of some wonderful artwork that will outlive us all. I believe that one hundred years from now the San Francisco dance posters of the 1960s will be as the Toulouse-Lautrec and Alphonse Mucha prints are to our era. The art lovers of a century hence will be celebrating an important art form, by then long gone, but idolized along with the work of the best fine artists of the era. A Rick Griffin Website is available.