Hiển thị các bài đăng có nhãn Ed Winiarski. Hiển thị tất cả bài đăng
Hiển thị các bài đăng có nhãn Ed Winiarski. Hiển thị tất cả bài đăng

Chủ Nhật, 29 tháng 7, 2012

Number 1200: That crazy little mixed-up mag

Crazy was an attempt from Atlas Comics to lure some of the readers who were buying Mad into parting with their dimes. Any Mad loyalist would immediately see the attempt fell short. But even if it sounds as if I'm dismissing it, I actually like this comic with its frenetic energy and lunacy popping out of every panel. I like the sexy pin-up art of  Al Hartley, who later went on to Archie and then to Spire Christian Comics; I like Bill Everett's funny Frankenstein, and Joe Maneely's artwork is, as always, superb. Ed Winiarski was a comic book journeyman, and Davy Berg later became a Mad-man. What Crazy didn't have was Mad creator/writer/editor Harvey Kurtzman, and it makes all the difference. There was Mad and then there was everyone else. It didn't make the imitators bad comic books, and Crazy is entertaining in its own crazy way, but in my opinion no Mad imitator ever reached the heights to which Kurtzman had taken Mad. (See more in my review of John Benson's The Sincerest Form of Parody, below the scans.)

Here's Crazy #1 (1953):

























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John Benson’s book, The Sincerest Form of Parody, is an excellent example of an overview (with examples) of a less-than-excellent subject. To wit (ho-ho), it is a book about all of them furshlugginer imitations of Mad comics that popped up in the wake of Mad’s success.

Benson, whom I admire as a comics historian,* obviously researched his subject matter. It appears that he read all of the Mad imitators of that period. The book reproduces a couple of dozen stories, some better than others, but none up to the high standards set by Harvey Kurtzman and Mad.


There just weren’t any other talents like Kurtzman out there at the time. There were writers who could write funny, and artists who could draw funny, but they couldn’t write and draw Kurtzman-funny. Even if the artists were technically good, they just didn’t come up to the level set by Kurtzman’s inspired cadre of cartoonists, artists like Elder, Wood, and Davis. At the time, they were the holy trinity of humor.

In my opinion, the best Mad imitations are what you see above you, the Mad-like comics from Atlas, and Harvey Comics’ short-lived Flip, with the sharp Davis-like drawing by Howard Nostrand.  EC Comics’ own in-house imitation, Panic, had some gems like Wood’s “African Scream,” shown in Pappy’s #871 or Elder’s “The Lady Or the Tiger,” the latter reproduced in Benson’s book. But same publisher or not, Panic was still a Mad imitator.

If Kurtzman worried at all about posterity, his name or his stories being remembered, he need not have been concerned. Kurtzman is one of the comic book geniuses, and they were rare, so we remember him. Reprints over the years have kept the twenty-three issues of Mad comics available to fans in various print formats, even two digital versions. The imitations just don’t get that kind of treatment, so The Sincerest Form of Parody makes some of the better imitators (“better” being subjective) available for the first time since their original publication almost sixty years ago.

I recommend The Sincerest Form of Parody with a qualification. The stories can be more bizarre than laugh-out-loud funny, and oftentimes (which happens with Mad, also) the satirical references are obscured by the half dozen decades between their first appearance and this book. Production is top notch, and the reproduction from the original four-color comic books is excellent.

It’s available from Amazon.com or your favorite bookseller. If your local comic shop has it or will order it for you, that’s even better.

The Sincerest Form of Parody by John Benson with introduction by Jay Lynch. Fantagraphics Book, 2011, trade paperback, 192 pages, 7 ¼” x 10”. $24.99 suggested retail.

*Benson also wrote Romance Without Tears, and Confessions, Romances, Secrets and Temptations, about the love comics of St. John publishing and writer Dana Dutch.

Chủ Nhật, 3 tháng 4, 2011


Number 923


Atlas animal antics


I had more fun than usual putting together this post. For over a year I have been wanting to use the Bob Powell story, "Talking Dog," from Marvel Tales #133, 1955. It was while going through some other Atlas post-Code comic books that I found a few more short-short stories where animals are prominent.





"Where Dinosaurs Dwell" is from another Marvel Tales, issue #143, from 1956. It's a time-travel story featuring a big green dinosaur. That would have gotten my attention when I was a kid, had I seen it. It's drawn by Bob Forgione and Jack Abel.





Strange Tales #66, from 1958, has yet another talking dog story, "Voice of Fido," drawn by Werner Roth. In this case the dog's voice is provided by the ventriloquist...or is it?



"The Flying Horse," drawn by Ed Winiarski, and scanned from Uncanny Tales #37, 1955, has a surprise last panel that actually surprised me.




Finally, an oddball tale by Howie Post (Spooky, Hot Stuff, etc.), telling a shaggy dog story in his shaggy drawing style. This is from Marvel Tales #131, 1955, the last pre-Comics Code issue of this title. Atlas was switching away from horror to more "acceptable" stories, but even so, the whipping wouldn't have made it past the blue noses at the new Comics Code. The characters are werewolves from the moon (!) Werewolves were also prohibited by the CCA, who was just no damn fun at all.




Thứ Tư, 24 tháng 12, 2008


Number 440


This is your wife


Last week I showed you some teenage comics with cute chicks...this week a comic with grownup cute chicks. Crazy #2 from 1954 is one of the better Mad imitators of the era.

I love the Al Hartley artwork on the first story, a take-off on the old This Is Your Life TV program, a mainstay of '50s television. Ed Winiarsky does a credible job on "High Moon," although anyone who remembers the Harvey Kurtzman/Jack Davis "Hah! Noon!" from Mad will find it lacking. Still, it has some pulchritude, and that's what we're looking at today.










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So, yeah...tomorrow is Christmas. Keeping up with the satirical vein of today's post, talk about your ghost of Christmas past! Here's "A Christmas Carol," done by Arnold Roth for Humbug #6, posted in Pappy's #59, 2006. I understand the two volume set of Humbug reprints won't be available for at least a couple more months, so this will give you a preview. I recently re-did the scans. Enjoy, and have a great Christmas Eve.