Number 937


I'd walk a camel for a mile


All American Western was the continuation of DC Comics' All American Comics. Western comics were popular in the late '40s and superheroes had lost their audience, so All American added "Western" to its banner and covered another genre entirely. This issue, #126, is the last under that title. In 1952 All American Western was canceled and replaced by All American Men of War, a title that lived on until 1966.

The last we see of Western action hero Johnny Thunder he and his girl are watching their horses return to them in the desert. They had just had an adventure with some Arab raiders on camels who tried to kill them. It's probably a story not likely to decrease tensions between our cultures. But camels in the Southwest, imported as pack animals, were a reality. The experiment of using them in the deserts of the United States territories just didn't work and by the Civil War the experiment was essentially over. As Western historian Will Bagley writes:

It wasn't that the camels couldn't adapt to the West; the West couldn't adapt to camels. They were not friendly animals, even to fellow camels, and they held grudges. Despite their bad temper and ability to spit the contents of their stomachs with the accuracy of a Kentucky marksman, it was camel stench that helped do them in. Odor usually was not an issue for Western muleskinners, but the slightest whiff of camel stench played havoc with a mule train. Sometime in 1865, camels stampeded a pack train bound for Missoula and turned the whiskey-bound town's Fourth of July celebration into Montana mud. It was not long before camels were banished from northern mining camps.

Their vast advantage as pack animals notwithstanding, it was America's affection for horses that doomed Western camel caravans. Camels and their legends long survived among the boomtowns and ranches of Arizona, Nevada, Colorado and Utah. A grizzled sideshow camel with a U.S. brand turned up in San Antonio in 1903. Arizona declared camels extinct in 1913, but hunters reported seeing them in the desert around Yuma into the 1950s.

As interesting as the history is, and it probably influenced this Johnny Thunder episode, it wasn't noted by the writer or editor Julius Schwartz, who loved to drop these types of facts into stories in the form of footnotes.

"Phantoms of the Desert" is written by Robert Kanigher, drawn by Carmine Infantino and Seymour Barry, from All American Western #126, 1952.

Number 418


Toth's Thunder


The headline of this posting has a double meaning; not only am I showing you a 12-page Johnny Thunder story from All American Western #108, 1949, but an opinion piece artist Alex Toth wrote 30 years later for Philippine Comics Revue Magazine #1. Never one to hide his displeasure, Toth rumbles forth like a force of nature with his views on the then-current state of comic book art.

The Johnny Thunder story was penciled by Toth, inked by Frank Giacoia and written by Robert Kanigher. In the postwar era, one of my favorite periods from the history of comics, there was a lot of talent. Toth had major talent and was also working with some gifted contemporaries at DC Comics. In 1979 when Toth threw down lightning bolts and shook the firmament with his thunderous opinions, you know he knew what he was talking about.

Number 370


"Dragged to your death!"


I'm not a big Western fan, not of movies, books or comics, but I do enjoy the occasional story if it's well done. Robert Kanigher, editor, scripted this story for Alex Toth, artist, and Frank Giacoia, inker. It appeared in All-American Western #107, April-May 1949. I love Toth's dynamic, action-filled artwork. Giacoia inked it in DC's late-1940s house style, borrowed from Milton Caniff.

The Indian characters are treated the same way they were treated in movies, as stereotypes.

I like Johnny Thunder's rock 'n' roll hairstyle, anticipating the look of a decade hence. Something that bugs me is how a white horse can be called Black Lightning. And wasn't Johnny Thunder a name borrowed from another DC character of a couple years earlier? And wasn't Black Lightning the name of a superhero two or three decades later? I guess comic books were the original recyclers: plots, art, names, everything used again and again!