Number 1427: Zoro and the Devil’s Dagger

In the wake of the initial comic book boom of the late thirties-early forties, comics, at 68 pages, all in color for a dime, were in constant need of talent and characters to fill those pages. If ideas and concepts from more successful comics were borrowed, well, that’s the comic book biz. There were so many characters spread across the industry they were popping up like weeds in my lawn. I wouldn’t want to try to count them.

Anyway, as promised on Monday, here are two more stories from 1941, this time from Fawcett’s Master Comics #12. I was not familiar with these characters at all, and apparently they didn’t set the comic book world on fire. But, so what? I like them well enough to show them here. “Devil’s Dagger” is drawn by journeyman comic artist Ken Battefield (NOT “Battlefield,” which is the way I often see his name misspelled). I know next to nothing about Battefield, because there isn’t much information available online. The other story is “Zoro the Mystery Man” (not “Zorro”), drawn by the great Mac Raboy. Raboy was an excellent illustrator, who did early work on Captain Marvel Jr. He also did fine work on Green Lama. Raboy went from comic books to the Flash Gordon Sunday comic strip in 1946, which he drew until his death at the young age of 53 in 1967.

Master Comics was a pretty good anthology comic. At some point I’ll be mining this issue for more stories.

Number 210

The all-American bullet-headed Saxon mother's son

Bulletman was created by Bill Parker, who also created and wrote the early adventures of Captain Marvel. The artwork for this story, "Bulletman Fights the Gagman," from Master Comics #40, July 1943, is by the Jack Binder comic art shop.

Jack was brother to Otto Binder, who did the bulk of the writing chores on the Captain Marvel stories. At the time Jack and Otto were valuable contributors to the success of Fawcett Publications. This story seems pretty good considering it is a shop job, worked on by several hands.

The Gagman might've gotten his arsenal of weapons from the Johnson Smith Company, the mail order novelty business that advertised in most comic books of the day. Maybe those ads inspired the character.

Bulletman, and his gal pal, Bulletgirl, wear anti-gravity helmets, which is why they look like Coneheads. I wonder why anti-gravity helmets wouldn't cause disruptions, make them light-headed, or cause Bulletgirl's hair to float rather than stay down.

Finally, this blog tells you G.I. Joe fans that this Bulletman isn't the G.I. Joe Bulletman.

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