These stories from Smash Comics #4 (1939) have a rigid panel arrangement. It goes throughout the book. I wonder if it was to make the comic book originals look more like they came from newspaper comics, which had a set format, not the relative freedom of a comic book page. Will Eisner, who did the “Espionage starring Black Ace” strip could still set a mood, as he did later with the Spirit, but the page layout is ultimately self-limiting. It's no wonder other artists like Jack Kirby decided to use the whole page divided in a way to maximize the effect of the individual drawings.
To go along with this story, I've included a two-page humor strip by Eisner, "Archie O'Toole," which is immediately recognizable as being Eisner's by the beautiful dancing girl. Archie asks of her, "Can she shag?" which should cause you to chortle gleefully over the modern sexual implication. I looked it up, and the Shag was a popular swing dance from the 1920s to the 1940s. You can see a couple shagging if you go to this video,
Sandwiched between the two Will Eisner jobs is a George Brenner story, using the pseudonym Wayne Reid, of my favorite metal man, Bozo the Robot.
There's a racial caricature in this story. I apologize to readers who may be offended.
Không có nhận xét nào:
Đăng nhận xét